So truly grateful for the opportunity of being in Brian Smith's master classes. It's made such a difference for me – not just in the work, but somehow more importantly – to my feelings about the work. I've always immediately focused on things I didn't like in the finished product (although, when are paintings ever really finished?) but my attitude has been changing... I'm still aware of how I can improve and do things better, but I'm able to see parts I actually like too. Seems such a simple thing, but it's a big breakthrough!
 Portrait of Sarah; Acrylic on canvas sheet |  Sketch of Murray; black conté on newsprint |
 Portrait of Dorrie; Acrylic on masonite panel |  Portrait of Dorrie; Acrylic on canvas sheet |
 Portrait of Nicole; Acrylic on masonite panel |  Portrait of Ed; Black, sanguine and white conté on French, buff-flecked paper |
 Sketch of Corrinne; Black conté on newsprint |  Sketch of Lena; Umber conté on newsprint |
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